You’ll get a good look at several popular instruments in the series, learning about their interfaces, different modes, parameters, MIDI capabilities, and much more. Join plugin expert for an in-depth look at the virtual instrument line from UJAM, featuring stellar-sounding plugins designed for easy playability and tweak-ability. UJAM Instruments Explained® HiDERA | 21 January 2023 | 228 MB After that, discover some novel uses for the tremolo effect, such as automating the speed setting and generating rhythmic excitement by syncing various parameters with your DAW tempo. Then it’s down to business, starting with chorus, where you’ll learn how to thicken up sounds, create vocal doubles, and generate new sounds by combining reverb and delay with chorus in unique ways. Gary kicks things off by briefly covering the types of modulation effects that will be featured in this series, along with some background info on their typical uses. These videos are designed for users with a basic familiarity of modulation effects. If you think you’ve heard it all when it comes to modulation effects, think again… Production wiz presents an in-depth modulation video course designed to expand your modulation effect knowledge and inspire creativity when using these timeless effects! You’ll learn exciting new applications for both hardware and software based effects like chorus, tremolo, flanger, phaser, and more, complete with audio demonstrations so you can see and hear these ideas in action. If you want more, the Instrument Expansion Pack takes things into a different league.Creative Ways to Use Modulation HiDERA | 21 January 2023 | 243 MB Bundled virtual instruments include a serviceable grand piano, a charismatic Hammond organ and a gritty analogue synth. There’s an arbitrary limit of ten insert plugins per channel, although that’s better than Cubase’s eight. There’s no convolution-based reverb or any kind of pitch-correction plugin or editor, though. The quality of the bundled plugins is excellent, with familiar controls, classy sound quality, and a few unexpected treats such as an emulation of the classic Urei 1176 compressor. Some features, such as clearing all muted and soloed tracks with a single click, viewing multiple plugin editors or bypassing plugins directly on the mixer, require Ctrl-click or Alt-click commands, which aren’t as intuitive, but it becomes extremely quick with experience. Signal routing in the mixer couldn’t be more flexible, and the various channel types follow a coherent design. As with all of these applications, Pro Tools has its own terminology and idiosyncrasies, but it has a methodical approach that, more than any other music-production software, lends itself to efficient use. The interface is both cosmetically and functionally very similar to Cubase, Sonar and Logic, and we were surprised at how quickly we were able to get up to speed. The software insisted on uninstalling a previous version of Pro Tools, disabled our antivirus software, rebooted twice, and left us to our own devices to get the iLok USB dongle installed and licences transferred – a convoluted process.Īfter that bad start, using Pro Tools 9 was pleasantly straightforward.
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